Push

Push is the very definition of derivative filmmaking. But I just don’t care. It was entertaining.  I would even consider this an improvement on director Paul McGuigan’s previous projects Wicker Park and Lucky Number Slevin.  The frenetic, almost Tony Scott-like camera work, and befuddling script work against it, but this is still a quality, mindless movie. As with lots of movies, all the troubles start with the Nazis during World War... Read More